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It uses dream logic in narrative flow that can be described in terms of then-popular Freudian free association, presenting a series of tenuously related scenes.

The film opens with a title card reading "Once upon a time".

A cut occurs to the young woman from the first scene, who has been reading in a sparingly furnished upstairs apartment.

The young man and the young woman watch these events unfold from the apartment window.

The young man seems to take sadistic pleasure in the androgynous young woman's danger and subsequent death, and as he gestures at the shocked young woman in the room with him, he leers at her and grasps her breasts.

The young man corners her as she reaches for a racquet in self-defense, but he suddenly picks up two ropes and drags two grand pianos containing dead and rotting donkeys, stone tablets containing the Ten Commandments, two pumpkins, and two rather bewildered priests (played by Jaime Miravilles and Salvador Dalí) who are attached by the ropes.

As he is unable to pursue, the young woman escapes the room.