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I was alerted to the website Turning World by some friends here in Haiti.The site is run by photojournalist Brad Workman, who has an ongoing photo documentary in Haiti.To take care of the first criteria, the two Berlin-based artists, who together form the video/media/installation duo Roth Stauffenberg, made a pit-stop at a costume supply store before taking off and picked up a suitcase worth of masks – among them a scary clown, a bunny, a Frankenstein, an orange Johnny Rotten wig, and a Boss Nass – the Gungan leader from .

How about giving Haitians cameras and letting them take their own photos?How about providing equipment for Haitian photographers to train youth and kids so they can document their own lives as they see fit, instead of a self-centred careerism on the backs of the poor people?When Christopher Roth and Franz Stauffenberg packed up their film equipment and traveled to Beira, Mozambique last year, two things were certain: the first was that they would not make a documentary; the other was that Mozart would somehow be involved.My email to Workman only began to touch on the whole issue of the ethics of disaster photojournalism and the ‘white saviour’ mindset.Two well-known examples of disaster voyeurism photos are: the young Haitian girl, Fabienne Cherisma, who was photographed dead, having been shot by police after the January 2010 earthquake.(The full text can be read on the Black Looks website.) First, without text and context, photos do not tell the story that needs to be told.